PRODUCTION SERVICES
CRISTINA SÁNCHEZ SALAMANCA
Cristina Sánchez Salamanca’s exploration as a director and screenwriter seeks to examine the brokenness and obscurity of the human condition. Themes of alienation, corporality, duality, identity and darkness are recurrent in her work, all of which she brings from her own experiences inhabiting the world she lives in.
Her autobiographical short film BEBÉ, portrayed the obscure angst that comes in experiencing girlhood while adapting to a fractured family, while her vision in ’The TOUR ’23 looked to reconcile the chaotic existence that comes in inhabiting the world in a woman’s body and navigating her home city of Bogotá. By creating a dialogue between the inappropriate and grotesque with the beautiful and canonical, Cristina’s visual language thrives in the contradictions that define being a human in today’s world.
CRISTINA SÁNCHEZ SALAMANCA
Cristina Sánchez Salamanca’s exploration as a director and screenwriter seeks to examine the brokenness and obscurity of the human condition. Themes of alienation, corporality, duality, identity and darkness are recurrent in her work, all of which she brings from her own experiences inhabiting the world she lives in.
Her autobiographical short film BEBÉ, portrayed the obscure angst that comes in experiencing girlhood while adapting to a fractured family, while her vision in ’The TOUR ’23 looked to reconcile the chaotic existence that comes in inhabiting the world in a woman’s body and navigating her home city of Bogotá. By creating a dialogue between the inappropriate and grotesque with the beautiful and canonical, Cristina’s visual language thrives in the contradictions that define being a human in today’s world.
CRISTINA SÁNCHEZ SALAMANCA
La exploración de Cristina Sánchez Salamanca como directora y guionista busca examinar las fracturas y la oscuridad de la condición humana. Temas como la alienación, la corporalidad, la dualidad, la identidad y la oscuridad son recurrentes en su obra, todos ellos surgidos de sus propias experiencias al habitar el mundo que la rodea.
Su cortometraje autobiográfico BEBÉ retrató la oscura angustia de vivir la infancia mientras se adapta a una familia fracturada, mientras que su visión en ’The TOUR ’23 buscó reconciliar el caos que implica habitar el mundo desde un cuerpo femenino y recorrer su ciudad natal, Bogotá. Al crear un diálogo entre lo inapropiado y grotesco con lo bello y canónico, el lenguaje visual de Cristina florece en las contradicciones que definen ser humano en el mundo actual.
